I am a coordinator for film programs and film festivals. I work closely with programmers, curators and directors to produce both contemporary and historical film events.

Locating right holders and screening material for movie theaters, film festivals and museums is my passion and job. It involves asking around, communicating with associates around the world, and sometimes a bit of detective work to establish contacts for untraceable movies.

Movies are made to be seen on a screen. I can help you make it happen!

References

 

Current projects…

 

Price range

 

Looking for someone checking on rights holder in a special territory? How about some print scouting for 16mm, 35mm or 70 mm? Or in need of material logistics for a bunch of films?

I am the right person to get on board.

Also, I think movies are made to be seen, and sharing information is caring about making that happen. I am always happy to help if the question is small and the answer ist simple.

For bigger projects, let’s talk (German, English) and I can provide a well informed estimate. The cost will depend on how challenging your intended program will be to assemble.

Gladly I have learned some tweaks and perks I am happy to let you benefit from.

Contact

Prices:

Research per hour includes searching for sources, making inquiries with other industry contacts, collectors, and combing through archives for either screening material and/or rightholder(s). Reduced prices are possible in a cooperative contract.

Program finalization per film includes negotiating screening or material fees.

Print traffic per film includes logistics management, communication and handling customs.

DCP management per film includes handling of (encrypted) material from beginning till it is on the screen.

Philosophy

 

“You seek it, I find it.”